Basic metadata describing PARADISEC's collection can be freely and easily searched through OLAC or the LINGUIST LIST gateway. Access to the more detailed internal catalogue records is available here: http://paradisec.org.au/catalog/.

Access to data in the PARADISEC repository is available to those who have signed an access form. A nominal fee may be charged for files delivered on CD/DVD. Completed forms should be posted or faxed to PARADISEC (Sydney).

PARADISEC has been funded by the Universities of Sydney, Melbourne, New England, ANU the Australian Research Council and Grangenet.

View a glossary of acronyms used on this site.

To report broken links or for comments on this webpage, email PARADISEC.

PERSONNEL

Paradisec director, Linda Barwick

 

Director: Linda Barwick
I have undertaken field research in Central and Northern Australia, Italy and the Philippines. I am a great believer in collaborative research, and enjoy working with communities and linguists to produce well-documented published recordings of sung traditions. On the academic side I am particularly interested in song language, musical analysis and aesthetics of non-Western song traditions, and the implications of emerging digital and networking technologies for establishing community access points to research results.
PUBLICATIONS

Paradisec Manager, Nick Thieberger

Project Manager: Nick Thieberger
I set up the Pilbara Aboriginal Language Centre in the late 1980s, then worked at AIATSIS on developing the Aboriginal Studies Electronic Data Archive. I lived in Vanuatu for three years and wrote a grammatical description of South Efate, one of the indigenous languages of Central Vanuatu. In order to write a grammatical description of the language based on my field recordings I developed a tool (Audiamus) that allowed me to present my PhD thesis together with a DVD of example sentences and texts. I am very interested in using new tools to assist fieldworkers in order to produce data that can be reused in future.

Aidan Wilson photo

Audio Systems Officer: Aidan Wilson
I'm a recent Bachelor of Liberal Studies graduate from the University of Sydney. My study of the argument structure of complex predicates in Wagiman, a language from the Katherine region of the Northern Territory, Australia, won me first class honours in linguistics.

Paradisec Project Liaison Officer, Amanda Harris

Project Liaison Officer: Amanda Harris
I have been working with PARADISEC since 2003 and am also a Research Associate on the ARC project Intercultural inquiry in a trans-national context: Exploring the legacy of the 1948 American-Australian Scientific Expedition to Arnhem Land.
PUBLICATIONS

Georgina Burke

Project Liaison Officer: Georgina Burke
Georgie joined the PARADISEC team on a part-time basis in May 2011. She completed her undergraduate studies in Social Anthropology (Sydney) before working in Aboriginal Education at a community and tertiary level and has continued to maintain an interest in and commitment to indigenous issues, particularly of a cultural nature. Georgie joined ABC TV in 1992 specifically to work on an AIATSIS-funded project to preserve and archive their indigenous video collection, the largest collection held by an Australian broadcaster. She then became a Researcher and Production Manager in ABC TV Documentaries. After completing postgraduate study at the University of New South Wales in 2003, Georgie worked in the area of refugee resettlement at the community level, providing valuable support to newly arrived refugees in the Sydney and Wollongong area.

Nick Fowler-Gilmore

Audio Preservation Officer: Nick Fowler-Gilmore
Since finishing his Diploma in Technical Audio Productions in 2006 Nicholas has worked at the Australian Institute for Aboriginal and Torres Straight Islander Studies (AIATSIS) in Canberra as an Audio Technician. While working in their Audiovisual Department preserving and digitising Indigenous audio material Nicholas learned the value of archives and the historical weight they hold. His position at PARADISEC is to assist in preserving and digitising the culturally significant audiovisual and written materials that are deposited in the collection and to assist with the much-needed equipment and facilities upgrade. Nick loves audio in all its forms, and preserving stories, music and historical content for future listeners and learners is a rewarding task.

 

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